Raves

When I first saw Rescue Special ops I thought it was very average. I started to IQ it and watch it on a Saturday night (what else is there to watch on a Saturday night?). I have persevered and must say I am impressed. The character development has been great. Gradually each episode we learn more about each character, not unlike ER. Now, I am not comparing this to ER.

But it is written in a way that lets us grow with the show. There are characters I’m liking and others I feel are weak, yet still want to see them develop. The writers are, I believe, doing this as a pull factor. It’s working for me! The tension between Lara and Dean is lovable and yet full of tension.

Like City Homicide, it has dealt with realistic situations. Maybe I am favouring Rescue as I am a Sydneysider, or maybe it is due to suspense. I usually pick the end of EVERY show I watch, yet am finding week to week myself more surprised, by the outcomes of this show.

Les Hill (who I remember as lame on Home and Away but great on Underbelly) is a stand out. Gigi Edgeley though is the star and I hope local talent like this continues, as it has now become to me more than just a Water Rats and Police Rescue wannabe, it stands on it’s own! Thank God Channel 9 has some decent quality in primetime.

Rescue Special ops airs on channel 9 8.30pm Sunday nights, with an encore usually at 3pm the following Sunday afternoon (be sure to check your local guides about the encore before assuming or waiting for it to be on!).

Article by Alicia.

This has to be one of the coolest promos I’ve seen since the Australia’s Next Top Model ones!

Two weeks after the launch of GO, ratings for the new channel are finally separated out of ratings for channel 9 shows. In the past two weeks, all shows on channel 9 have had an apparent surge in ratings resulting in strange results and distortion to what the facts really are.

We now have our first look at how shows on GO are doing. Here are some examples from last night (Sunday Aug 23) and during the day as well:

The Big Bang Theory-Rpt Go! 204,000 – was on from 7.30 – 9pm
Wipeout Go! 169,000 – 6.30pm
The Flintstones -Rpt Go! 131,000 4-5pm
The Nanny Go! 123,000 5-6pm
Seinfeld-Rpt Go! 101,000 6pm
The Jetsons-Rpt Go! 99,000 3-4pm
Legion Of Superheroes Go! 88,000 11am
Starsky& Hutch-Rpt Go! 76,000 1pm
Scooby-Doo, Where Are You!-Rpt Go! 73,000 2pm

On channel 9, 60 Minutes had 1,040,000. Last week, 60 minutes was at 1,328,000. Given that 204,000 were watching Big Bang Theory on GO last night, we could assume perhaps a similar figure last week, so last weeks’ figure for 60 Minutes would need to be corrected to about 1,120,000. Same for Rescue: Special Ops – Big Bang Theory ep 3 last night overlaps with the first 20 minutes of Rescue. Big Bang Theory on Channel 9 Monday nights rates around a million viewers, so popularity of the show has built since 9 decided to put it on and stick with it.

Last week, we saw Hot Seat winning over Deal or No Deal on some nights – even to the point that channel 9 started promoting Hot Seat as the number 1 game show in Australia. It will be very interesting to see what the figures really are this week, and exactly how many people are watching Bewitched on GO instead of either of the game shows on 7 and 9. I personally know more people watching GO then 7 and 9 at that time.

Given that (last time I checked) digital take up in Australia is only 40%, and out of all people who have digital there may well be some – such as the older demographic – who either are not aware of GO or simply don’t care for it, ratings figures for GO are quite encouraging. Already there are more people watching GO then there are ONE. A figure of 204,000 for a show on GO, when taking into account digital take up factor, is similar to having a figure of around 506,000.

Another way to look at this – imagine if the ratings were for homes who had digital TV only. All people in the survey have access to all 9 free to air digital channels. By using a pro rata analysis, by taking 40% of the ratings figures of the main channels, the top 30 shows would begin to look very different.

Big Bang Theory, Wipeout, Flinstones and the Nanny all would be in the top 30 in digital homes.

For the first time, shares of each of the individual channels have been reported (for Sunday Aug 23 ratings)

1st 7 26.0%. 2nd 9 21.3%. 3rd ABC1 19.7%. 4th 10 18.1%. 5th SBS1 8.7%

6th GO 2.8%. 7th ONE 1.9%. 8th ABC2 1.1%. 9th SBS2 0.4%

Here is what these percentages would be if the figures were only for homes who had access to all free to air digital channels:

1st 7 23.8%. 2nd 9 19.5%. 3rd ABC1 18.0%. 4th 10 16.6%. 5th SBS 8.0%.

6th GO 6.4%. 7th ONE 4.3%. 8th ABC2 2.5%. 9th SBS2 0.9%

If it was not for the Ashes on last night, Go would be above SBS. We will no doubt see that happen this week GO rate better than SBS in digital homes. Especially on Tuesday and Thursday nights when GO have Survivor and Gossip Girl on.

[Raw ratings figures including percentages are from Media Spy and based on OzTam 5 city metro figures. My calculations for free to air digital take up in Australia is based on a figure of 40%, and does not take into account Foxtel customers who can see some but not all digital free to air channels via Foxtel and do not have a separate digital set top box to access channels like GO. This actually results in accessibility to ABC2 and SBS TWO being higher than 40%. Also some cable homes have access to ONE through Foxtel.]

Nine News are running ads in the Sydney newspapers this weekend stating the following: “EXCLUSIVE is a NINE letter word”. The ads include a picture of Peter Overton and are single colour, and are specifically referring to Nine News at 6pm.

The ads are a further promotion of Nine’s on air news ads which claim 9′s news are the first to break the most important stories as well as the stories you need to know. Some of their ads make reference to certain stories being on 9 news before they were on 7’s news. 9 news claims to have more exclusives than any other TV news.

Now I am sure Nine News does actually have an exclusive story now and then, as do Seven and Ten, but the majority of times I personally have seen an ad during the day for a story that is supposedly exclusive to Nine News, I have seen the exact same story on Ten News one hour earlier. And there was one case I recall seeing the so called Nine exclusive story on Seven’s 4.30 News.

Perhaps if Nine had decent programming at 5pm (No offence to fans of Antiques Roadshow) to keep more viewers on their network, they would not go over to Ten news only to see the story promoted by Nine News as being exclusive is also on Ten’s News before it airs on Nine News.

Nine News should concentrate more on content then trying to promote exclusivity as it can only lead to continual embarrassment when a story is promoted as exclusive but still seen on all other news services.

And here are some SEVEN letter words for NINE to think about: RATINGS. SUCCESS. WINNERS. Seven are the number one network for the year, and Seven News consistently outrates Nines.

GO, 9’s new digital channel aimed at youth launches on Sunday August 9, 2009, with first programs at 7am being aimed for children. This is apparently the soft launch for the channel, with a major launch scheduled for sometime in October.

Perhaps this idea of soft and hard launching could explain the reason why promotion for GO has been a little light on so far. Their Twitter feed only has a few updates, and only yesterday posted a link to GO programming listed on the ninemsn website. And, to make matters worse, they have only listed on their own website the prime time viewing for GO. The full program has been available on websites including this one from last Saturday.

Regional viewers will be pleased to know that GO will be a nationwide launch which will reach most regional areas in Australia at the same time. If you are in regional Australia, and you can view the digital transmissions of either WIN or NBN, then you will be able to watch GO.

Metro viewers can see GO on digital channel 99. Those in NBN’s viewing area will see GO on digital channel 88. In fact, in Newcastle, NBN have already changed their second digital channel from 81 to 88 in readiness for GO. WIN’s audience will see GO on channel 80 until it moves to 88 sometime in October. GO is an SD channel, and although on channel 80, it certainly will not be in HD.

GO’s major launch in October will coincide with the first show to air on GO before airing on channel 9 – the Vampire Diaries.

The nationwide simultaneous launch of GO prompts the question as to why channel 10 and its eastern state regional affiliate Southern Cross Ten could not launch ONE at the same time. Metro markets had ONE from March 26, mainland eastern state regionals from July 2, and now, Tasmania joins in with ONE HD startong on TDT July 30. It starts with the usual countdown to ONE, and a half hour intro show – more like an infomercial for ONE – before entering into normal programming. Let’s hope the references to the ANZAC Day AFL game are edited out of the ONE intro this time!

As for South Australia, Western Australia, and Northern Territory, there are still many areas with only 2 commercial broadcasters, and even some not on digital yet. So ONE HD will take some time to get there especially with the lack of having a channel 10 affiliate (which is set to change in 2010 with a 3rd license being granted). Again, all 9 affiliates broadcasting in digital will have GO from August 9.

How much of GO will you be watching? Be sure to take part in our GO poll. Click here.

And what about channel 7? Still no news as to what channel 7 will be doing for their extra digital channel. They may opt to do something around October as well, but as 7 are now so far ahead in ratings, perhaps they are not in any rush to commit to the extra cost of running a full time second channel.

Ok this looks really creepy and it’s weird to see Tony and Lukas and Ruby together on screen in really different roles!

What do you think of the trailer?  Do you want to go see the movie just because of who is in it, or does it look good in general?

After seeing some nasty stuff explode out of the 16 year old firecracker that is Cassi Van Den Dungen, it was a rather pleasant surprise to see how she responded to being given another life line at this weeks double elimination of Australia’s Next Top Model.

On learning she was safe, Cassi said to Sarah Murdoch that “…the only person that’s really trying in this competition is Mikarla.  I really don’t deserve this.  I don’t.  She’s trying harder more than anyone else.  This is not fair.”

Despite delivering some hurtful comments towards the other girls and even a punch to an undeserving wall, it appears there is a softer side to Cassi that offers the hope that she does see outside of herself.  

Perhaps it was the anger management.

You might have caught an episode or two of the latest reality show to fill the gap left by Big Brother,  a local version of the BBC’s incredlbly successful Masterchef. Accompanying the debut of this show, has been thousands of screeds hurriedly posted online, the contents that run along a singular line of thinking – that Ten have taken a great format, gutted it and turned it into ‘just another reality show’. The show is considered to be a pale replacement, a dumbing down of a truly unique show.

Usually I’d be inclined to agree. There’s a lot about Masterchef to hate. It bears all the hallmarks of the Ten/Freemantle Media style of reality show production. There’s perhaps 10 minutes of ‘story’ per episode, drawn to fill the tmeslot with the shotgun use of long, drawn out reveals, manufactured ‘scandal’, manipulative and hokey camera work that would find a better home in a daytime American soap, not to mention the smug, snotty judging panel of The Age‘s Matt Preston. Fenix‘s Gery Mehigan and the Press Club‘s George Calambaris.

However, I believe that Masterchef does two important things very well and through those things, Masterchef earns its primetime timeslot, so much more than Australian Idol or So You Think You Can Dance.

Put simply, the greatest thing that Australian Masterchef does is that it makes it clear that the judges, guests and production staff give a damn about good food, cooked well – and so should you! Complain all you want about the theatrical editing, staged rants and crying jags, but it is clear that the judges passionately believe in the craft of restaurant cooking and want to pass their knowledge on. The camera lingers, lovingly on cuts of meat as the judges and guests describe the hallmarks of quality ingredients and how to cook them in a way that brings out vivid, full flavour. It decries poor cooking skills, it spurns ‘fast food’, it puts those eager viewers coming home and slumping on the couch the idea that there’s a better option than a frozen Chicken Kiev and chips, thrown in the oven. It is this aspect of the show that engaged me, that got me thinking and taking steps to improve what I’m cooking and eating – in this regard I think it’s a better advocate of a healthy lifestyle for Australia, the fattest nation in the world, than The Biggest Loser.

The other thing that Masterchef does well is that it is far, far less likely to accept mediocrity and lack of effort than stablemates in Loser and Idol. How many times have been seen contestants on those shows tearily brought back to continue being a part of the competition because the judges feel sorry for them. This isn’t as prevalent in Masterchef – if a dish is crap, overcooked, undercooked, whatever, the contestant will be told this and it has a very, very good chance of sending them home. The one thing I do enjoy about the judging panel, besides Preston’s ridiculous penchant for cravats, is their unwillingness to take any backtalk from contestants. Together, the trio are like the Furies of Greek myth, cutting down those who break the rigid, unwritten code of the restaurant kitchen. It’s refreshing to see a show that doesn’t tolerate failure or do so in such a way it becomes comedic or over the top, easy to root for the contestants over the big bad judge, a la Kyle on Idol.

Undoubtedly there’ll be a steady stream of comments indicating that the BBC did BOTH these things without needing to resort to cheap theatrics. That’s great, and I would relish the opportunity to see that version shown on commercial television at some stage. In the meantime, however, let’s at least be glad that we have a show that, deep down, is very serious about the craft is represents.

It’s great to see that channel 9 is now offering late night news at 11.30pm. For many of us, that is a better time to catch up on the news than 10.30 is on channel 10. Last night, I flicked over to 9 to watch the news at 11.30, only to find I had missed the start of it and therefore the first of the main stories which are usually the most important.

This is an ongoing problem for both channel 7 and 9 where programs after 11pm start early, while programs after 7pm start late. If you want to see all of the news on 9 scheduled for 11.30pm, I suggest you tune over at around 11.20 to make sure you don’t miss any. If you plan to record it to watch later in the night, then be sure to set your recorder to take into account those extra minutes before.

Channel 7 has been doing this with 30 Rock for months, which has started as early as 11.20 while still showing on both printed guides and EPGs as 11.30. On the flip side of the equation, channel 9 on Monday night, the last episode of Underbelly did not start until 8.39 and Eleventh Hour that followed Underbelly did not start until 9.45 – it was shown on the schedule as 9.30. That’s 15 minutes late. On that particular night, it was mae worse by having 3 minute HomeMade “Sneak Peaks” both before and after Underbelly, not to mention countless pop-up ads as well as extra ads during the ad breaks.

Last night, whilst working late, I left on 7HD in the background. At 12.53am, I heard the start of Deal or No Deal. After checking the 7HD TV guide on yahoo, I saw that Deal is scheduled to start at 1am. And, the show after it on 7HD – A Country Practice (and being on HD, you can see the rather low quality of the 80′s video compared to now) started at 1.17am – 13 minutes ealier than the program guide and EPG suggests.

The networks have to realise that an EPG is as good as useless if their programs do not match the time on the EPG. Most viewers rely on EPG times to either remind them of when a show starts or to record it to watch later. At least channel 10 keep their EPG times up to date most of the time. What is the problem with ch 7 and 9 – why can’t they keep their EPGs up to date? Surely the one that does stands to benefit the most from viewer satisfaction.

Both ch 7 and 9 need to be called to account for this archaic practise of running programs late or early. It is nothing more than blatant disrespect for their viewers, and such a strategy would only work if viewers watched the same channel all night. They don’t. They all have remotes. They all change channels many times during the night, and they all get frustrated at shows starting late or starting early.

Having said all that, here is my guide of what time you can expect a show to really start based on its advertised or scheduled time on the 3 commercial networks.

Scheduled Time - channel 7 – channel 9 – channel 10

5.00pm – 4.57pm – 4.57pm – 5.00pm

5.30pm – 5.27pm – 5.27pm – n/a

6.00pm – 6.00pm – 6.00pm – 6.01pm

6.30pm – 6.30pm – 6.30pm – 6.30pm

7.00pm – 7.05pm – 7.05pm – 7.03pm

7.30pm – 7.35pm – 7.35pm – 7.32pm

8.00pm – 8.05pm – 8.06pm – 8.02pm

8.30pm – 8.35pm – 8.37pm – 8.33pm

9.30pm – 9.35pm – 9.38pm – 9.32pm

10.30pm – 10.31pm – 10.33pm – 10.31pm

11.30pm – 11.25pm – 11.25pm – n/a

12.00am – 11.55pm – 11.57pm – 12.02am

12.30am – 12.25am – 12.25am – 12.30am

1.00am – 12.53am

1.30am – 1.17am

A bit of fine print:

These times are based on my own TV watching experience based mostly on Monday to Thursday nights, although I have noticed late schedules running on weekends as well, but not as bad as the weekdays. Times are a rough average, off the top of my head. I have not sat down and recorded all scheduled times for every instance. Obviously these times may vary from night to night, but for the uninitiated, can act as a simple guide. Examples considered here include: ch 9 Mondays with Underbelly and the show after it as much as 15 minutes late, The Mentalist on Wednesday nights usually 7 or 8 mins late, Ellen at 11.30pm and now 12am starting early, 11.30 news starting at 11.25, 30 Rock on 7 starting as early as 11.20pm, Deal on 7HD starting at 12.53am instead of 1am, Heroes from 10.30 – 11.25, always missing the start of Beauty and the Geek which was on 11.30 Thursdays, and seeing it finish around 12.20, missing the first stories on 11.30 news on 9, missing the start of Hot Seat on 1st night and subsequent nights, seeing Antiques and Mash start 4.57 after 4.30 news finishes, Life on Mars on 10 starting at 9.33 Thurs (now 10.30 Fri) on the dot according to the EPG, Masterchef starting exactly on time in accordnace to the EPG, same with Talkin’ Bout my Generation, Rove despite being after reality shows normally starting as per EPG at say 9.06pm (although printed as a 9pm start), not above here due to odd time, but Letterman on 10 at 11.15pm is always on time as well, as is the show following. Yet 7 and 9 are running early by 5 or more minutes. Obviously it has to do with the lower volume of ads after 10.30, but the networks would know that already and their guides should reflect it. Running late from 7 to 10.30pm though is a deliberate action as both A Current Affair and Today Tonight finish 5 minutes late. Additional lateness, especially by channel 9, can be attributed to extra self promotion ads thoughout the night, especially when they through in sneak peaks like they currently are for HomeMade.

Note that in the case of ch 10, their EPG times actually reflect the times above whereas ch 7 and ch9′s do not and only show 8.30, 9.30, etc.

I have not included ABC, SBS or Foxtel here as they usually run on time with up to date EPGs and therefore saw no point to include them on the table.

This is Alamela, reporting to you from Taiwan. You probably remember me from the last season of Australia’s Next Top Model, and the anti bullying work I’ve been doing since then.

After the show finished I wrote a feature article for Girlfriend magazine about the problem of bullying, and presented a number of speeches to students and teachers about how to prevent bullying within the school yard. During this time I was also offered an international modeling contract, but decided to focus on my last year at High School. It was definitely hard work catching up after filming for Top Model, but everything worked out in the end.

After graduating I decided to follow my modeling dreams, and the next week I was flown to Korea for my first contract. Since then life has been perfect. I’ve been working for brands like Levis and Lipton tea, but my favorite job was just last week in Singapore. Not only was I was paid to attend a party hosted by Tattlers magazine, but I was also asked to wear a watch crafted from iron recovered from the Titanic.

Now I’m modeling fulltime and studying at university in my spare time, and continuing to be a moral activist every opportunity I get.

Nice to meet you all, and I hope you enjoy the next season of Australia’s Next Top Model.