Downton Abbey

Seven will screen new episodes of Bones, after Dancing with the Stars, Sundays around 9.00pm from April 22.

The return of the series includes the much anticipated birth of Baby Bones, in an episode titled The Prisoner in the Pipe. After a three month hiatus in the US, this is the first of seven episodes remaining in the seventh season of Bones.

On Tuesday April 24, Seven will air the two hour season finale of Parenthood from 9.30pm, which promises to be an absolute tear-jerker. There’s a new baby, an appealing offer, a big fight, a devastating realisation, a reconciliation, a proposal and a Braverman wedding!

Bones returning to Sunday nights, poses the question as to what night Seven will air Downton Abbey – which enjoyed success at 8.30pm Sundays last year.

New episodes of Castle follow Bones at 10pm Sunday from April 22.

Easter with the Australian Women’s Weekly, Nine 6.30pm
Nine’s seasonal one hour paid program is back with hints and tips and everything you need to know to have the best Easter ever. Delicious recipes from celebrity chefs including Maggie Beer, Julie Goodwin and Ben O’Donoghue. Hosted by Natalie Gruzlewski

Downton Abbey, 7TWO 8.30pm
See the first season from the beginning, over 4 nights on 7TWO. The sinking of the Titanic leaves Downton Abbey’s future in jeopardy. However, the eldest daughter, Mary, is quick to put her intended marriage behind her and move on. The arrival of the new valet, John Bates, shocks the servants, who scheme to make his stay at Downton as short-lived as possible.

Sunday Best: The Cove, ABC2 8.30pm
In 2008, an elite team of scientists and filmmakers embarked on a covert mission to penetrate a hidden cove in Japan, shining light on a dark and deadly secret.

Asteroids – The Good, The Bad, The Ugly, SBS ONE, 9.30pm
For centuries asteroids have been ignored by science. The poor relation to the planets and even their icy cousins, the comets, asteroids were dismissed as boring. But all that is about to change. Scientists have made some very strange discoveries that could solve one of the greatest mysteries in science – how water arrived on Earth. Recent discoveries suggest some asteroids are actually covered in ice. In fact, the status of the asteroid has changed so much that NASA has chosen the asteroid for mankind’s next giant leap in interplanetary adventure.

Movie: Hop, showtime premiere, 8.30pm AEST
Just in time for Easter. With  James Marsden, Russell Brand.

If you missed Downton Abbey first time round, or would just like to see the series again before season two launches on Seven after Easter, 7TWO are playing the first series in full next week over four nights, starting on Sunday April 1, at 8.30pm.

Donwton Abbey last year was a ratings success for Seven, reaching up to 1.8 million viewers per episode. The series in the UK is now in its third season.

Hailed as Downton on water, the Titanic mini series will air on Seven from (assumed) April 15, the date of the 100th anniversary of the ship’s sinking.

Dowton Abbey series 1, 7TWO from 8.30pm April 1.

Martha Stewart to guest on Law & Order: SVU

Martha Stewart will reportedly make a guest appearance on Law & Order: Special Victims Unit, playing a private school headmaster.

Minaj to perform on Idol

Nicki Minaj has tweeted that she will be performing on American Idol next week. The show is yet to confirm the appearance.

Downton Abbey adds Speleers

Downton Abbey has added Eragon actor Ed Speleers to its cast for the new season. The actor will play a footman named Jimmy.

MTV announces new shows

MTV has announced four new shows called The Heights, Epic Fail, Totally Clueless, and MTV’s This Is How I Made It. They range from docu-dramas to panel shows.

Helms and Hader join pilot

Ed Helms and Bill Hader have been added to the cast of a new comedy pilot from The Office’s Mindy Kaling.

True to Nine’s usual form, we are currently being absolutely bombarded with ads for all their new shows that will start after Easter with on screen promos, extended length ads during ad breaks, mentions by sports commentary teams and more of the same on GO! and GEM. In fact, GO! now seem to spend more time promoting Nine than they do promoting themselves – especially in social media.

The likelihood of The Block and Celebrity Apprentice airing together is all but confirmed now based on the volume of promos for the two reality series. The Block is using 7 O’Block again – meaning it will be stripped across 7pm weeknights – while Celebrity Apprentice is being presented with its usual side-show like ads with contestants on sitting ducks as an example being used to promote the show. It will most likely air after The Block with 7.30 or 8pm starting times.

The Voice is also set to start after Easter with promos for the singing show hitting equally as hard as its reality counterparts The Block and Celebrity Apprentice.

And, sorry to say, the ads for Tricky Business are so frequent, they are at risk of turning people off the show before it even starts.

One thing is for sure, Nine’s programming will be awash of new content post Easter, and the network will use the Logies on April 15 to catapult Nine right back into the post-Easter ratings race in an attempt hopefully to claw back some of the massive head start that Seven have achieve in the first two months of the 2012 ratings year.

But with Seven set to return Dancing with the Stars, Downton Abbey, Australia’s Got Talent, Amazing Race Australia as well as premiere the much anticipated Titanic mini-series after Easter, Nine will have a hard-felt battle to topple the current number one network.

Where does that leave Ten? Unless Masterchef performs significantly better than last year, Ten will be left behind, well and truly caught in the cross-fire.

Easter non-ratings runs from April 1-14 this year, then it is ratings game-on after Easter, from April 15.

Will Nine be able to beat Seven in any ratings week this year? Will The Voice be a hit – or a big miss like Excess Baggage – now rating so poorly, it doesn’t even make top 100 digital? Will The Block perform as well this year as it did last year? What about Celebrity Apprentice – worked last year, but will it this year? Or will we all be sick of these shows before they start thanks to over promotion by Nine.

Tell us your thoughts. What will you be watching after Easter?

I’m going to call it now – Seven will win 2012 ratings year in total people.

The third week of 2012 ratings survey is done and now it is already clear that Seven will win the year. With My Kitchen Rules nudging 2 million viewers on some nights, Revenge settling around the 1.8 million mark in overnight (5 city metro) ratings figures and Packed to the Rafters – while down on its glory days – is still reaching up to 1.5 million, Seven are winning most nights ratings. So far the network has all three weeks of the 2012 ratings survey convincingly. Even Seven’s Sunday night line up is outrating the cricket on Nine, and easily doing better than Ten’s Super Sunday.

Seven’s two digital channels 7TWO and 7mate regularly lead over their commercial opposition. Both channels have clear and distinct programming that does not overlap or eat into the main channel’s audeince – unlike Nine and Ten’s offerings. Even on a night that My Kitchen Rules pulls close to two million viewers, 7TWO and 7mate can both independently reach channel shares of over 5% each.

Obviously, winning the first three weeks is no guarantee that Seven can or will win the year – but if you look at what is coming up on Seven, compared to Nine and Ten, then the outcome is clear. I would even go so far as saying Seven would win 2012 if the weeks that the Olympic Games air were counted towards the year’s end result.

Three weeks from now, My Kitchen Rules will reach its finals week, then it is straight into the AFL season where Seven will air four games a week, including live games on Friday and Saturday nights.

After Easter, Australia’s Got Talent – a ratings power house last year – will return to Seven, as will Dancing with the Stars to its traditional Sunday night timeslot. Last year’s unexpected smash Downton Abbey will play out its second season, while Amazing Race Australia is back most likely in May. Then there is still Packed to the Rafters, Winners & Losers, and imports like the popular Criminal Minds still to come.

Looking further into the year, The X Factor is back, with auditions now well under way. New shows Good Christain Bitches and Once Upon A Time will also come to Seven soon.

Both Nine and Ten, like in 2011, have gotten off to a bad start in 2012. While Ten had some early success with Super Sunday, the night is now easily outrated by Seven. Ten have already made significant programming changes – most notably on Thursday, Friday and Saturday nights, and double episodes of shows llike Homeland seem to randomly pop up unexpectedly. 

The Biggest Loser this year seems to be building, but it lags well behind Seven’s Kitchen. After Easter, Masterchef will return for its fourth season, but, given the drop in figures last year, Masterchef is not likley to draw the crowds it used to.  New reality series The Living Room, and Being Lara Bingle won’t set the ratings world on fire.

To Ten’s digitals, ELEVEN is doing well, usually amongst the highest rating digital channels, while ONE is yet to find an identity, lagging behind the other commercial digitals on most nights.

Nine have already started the year with a flop in the failed launch of Excess Baggage now airing on GO! to less than 100,000 viewers over its four nights on air. New series Alcatraz isn’t doing anywhere near the figures Revenge on Seven is doing while the One Day Cricket Series is perhaps now suffering from fatigue with audeinces now not reaching a million. Thankfully, finals week is here next week, while the NRL season is now underway.

Earthflight hasn’t done well, CSI is doing OK, 2 Broke Girls has settled around the 800,000 mark while Two and a Half Men and new episodes Top Gear are tanking.

Nine’s only real hit so far is new episodes of The Big Bang Theory, with some of the repeats being pulled up as a result. The show, however still airs up to 15 times a week between Nine and GO!.

Coming up on Nine – looking like after Easter now – will be either The Block or Celebrity Apprentice Australia stripped to 7pm. So far, there is no indication as to which will return first. New series Tricky Business – looking more and more like Nine’s attempt at a Rafter’s style show should premiere after Easter as well while The Voice is in production as well.

Then, of course, there are the 2012 Olympics – but they don’t count to the years’ rating result. After the Olympics comes Big Brother – which will either be a spectacular flop or a surprise success for Nine.

The program guide for GO! these days is less than inspiring – with the channel loaded mostly with sitcom and movie repeats – the once number one digital channel still manages to find an audeince though, but is now not the most watched digital channel on most nights. As for GEM – it needs as much of a make over as Ten’s ONE does.

It appears that Nine and Ten will have alot of work to do if they are going to be able to come close to Seven in 2012. Nine may manage one of the younger demographics, but, comparing the three commercial broacasters in both content currently on air and programming to come later, Seven are already clearly in front, and will stay that way in 2012.

[Any ratings figures quoted are OzTam 5 city metro figures.]

In the aftermath of the Golden Globe Awards, Network Ten has come out as the big winner – winning best drama (Homeland), actress in a drama (Claire Danes – Homeland), supporting actress in a TV series (Jessica Lange, American Horror Story) and best comedy for Modern Family.

Another big winner was showcase with Enlightened, Mildred Poerce and Game of Thrones winning awards.

Channel Seven was the only other free to air channel to get a Globe with Downton Abbey winning best mini series.

Homeland premieres Saturday Jan 22nd at 8.30pm on Ten, Mildred Pierce will be repeated in February on showcase.

For all of the winners click here.

While reality television programs dominated the ratings this year, latest Roy Morgan research has shown that only half the audience of shows such as The Block and Australia’s Got Talent are devoted viewers while dramas are attracting a more faithful crowd.

In a publication by News.com.au containing data from the report, it was revealled that a drama such as Packed To The Rafters and Downton Abbey were more likely to attract an audience that tuned into the show because of the sole reason that they liked it. For Packed To The Rafters, three quarters of its audience responded by saying they tuned in because they were a fan.

In contrast, a quarter of Australia’s Got Talent’s audience said they tuned in because ‘there was nothing else on’ while another quarter tuned in because someone else was watching it. That leaves only half an audience that tuned in for the sake of watching the show on its merit alone.

What this says is a few things. Firstly, it could indicate that dramas will have a far less great retention rate than reality shows. This means, people who watch a premiere episode of a drama would be more likely to tune in again for the next installment than people who watch a premiere of a reality television show.

It also means that dramas do better at engaging a crowd. More people are likely to discuss an episode of a drama series than a reality series; something that is particularly attractive to advertisers.

Roy Morgan Research industry director George Pesutto said reality programs that screened every week night could struggle to consistently attract an engaged audience.

Next year, Nine will be trying its hand at Tricky Business, a Shane Bourne-starring drama that is set to rival Packed To The Rafters with its bold similarities. Matched with their heavy reality slate, it is as if Nine got this information early and acted accordingly.

TEN is also set to increase its drama slate with Bikie Wars, Puberty Blues and Reef Doctors all set to debut next year. If they change their mind any time soon about Inside Out, they will also have that up their sleeve. They also have Offspring and Neighbours, which airs on ELEVEN.

 

Source: AdelaideNOW

Despite being the overall highest-rating show this year, Australia’s Got Talent was beaten by Packed To The Rafters and Downton Abbey in the engaged audience stakes.

The two dramas rated higher than the talent series in terms of attracting attentive and engaged audiences throughout the year, according to Roy Morgan Single Source data.

George Pesutto of Roy Morgan Research said: “Serial weekly dramas or comedies… tend to deliver a more engaged audience, whilst reality programs (particularly those that are screened every weeknight, like The Block or MasterChef) are more likely to have a higher proportion of viewers who pay some or not much attention.”

The organisation claims to look beyond the ratings and demographics in order to gauge the actual engagement the viewer has with what they are watching as well as their motivation for watching.

Packed To The Rafters proved the most popular in terms of viewers who “pay a lot of attention” with Downton Abbey close behind.

The study surveyed 18,500 people in total regarding their viewing habits.

Source: B&T.com.au

The Screen Producers Association of Australia (SPAA) confirmed today that Gareth Neame will speak at a special morning plenary session at its annual Conference on Tuesday 15 November at the Hilton in Sydney.

Neame, who will be a Television Keynote Speaker, is Managing Director UK, NBCUniversal International TV Production and is responsible for Downton Abbey, the internationally acclaimed television event of 2010.

Neame was previously the Managing Director of Carnival Films, the leading British independent production company owned by Neame and Southern Star which was sold to NBC Universal in 2008 to be the cornerstone of its new international TV division.  Neame’s remit now includes overseeing all UK television production initiatives in Drama, Comedy and Entertainment. He is tasked with increasing NBCUniversal’s presence in the UK, building on the significant success of Carnival.

Over the years, Carnival has produced many popular shows such as Hotel Babylon, Poirot, Enid, Sea of Souls, Jeeves and Wooster, As If, Rosemary and Thyme, and Traffik, as well as US content such as The Philanthropist for NBC and The Grid for TNT. Other productions Neame has been responsible for at Carnival include Whistleblowers, Midnight Man and The Old Curiosity Shop.

Prior to joining the company, Neame had a successful career as Head of Drama Commissioning at the BBC and was instrumental in the significant growth in independent production, responsible for development and production of a range of innovative, award-winning and popular shows such as Spooks, State of Play, Bodies, Outlaws, Hustle, New Tricks, Tipping the Velvet and Clocking Off.

Downton Abbey was the surprise hit and ratings winner in the UK in 2010. The period television drama has reinvented and reinvigorated the upstairs/downstairs genre. The series scooped six wins at the 63rd Primetime Emmy Awards as well as wins at the BAFTA TV Awards, and a Golden FIPA TV for Neame. It also achieved a Guinness World Record for highest critical review ratings for a TV show globally with a Metacritic score of 92% beating the previous record holder, which was Mad Men. The top-rating drama premiered in Australia on the Seven Network and the second series is expected to air here in 2012.

SPAA is the industry association for the independent film and television industry, providing leadership and direction on all debates concerning the economics, creative and technological future of the screen production industries in Australia.  It strives to create the business conditions for the industry to compete strongly in both local and international markets.

SPAA Conference, 13 – 16 November 2011, The Hilton, Sydney www.spaa.org.au/conference